Viktoria Ford

I am interested in how a viewer’s perceptions make meaning from a work of art. The book by neuroscientist, Eric R. Kandel, Reductionism in Art and Brain Science, has impacted my understanding of the ways the brain functions to interpret art differently, depending if the subject is recognizable or abstract. Abstract or non-objective art engages a part of the brain associated with memory and emotions. This promotes deeper self-reflection. Appreciating this has prompted me to explore new ways to connect more deeply with viewers of my work.

My studio practice often begins with time spent working in my sketchbook. I work freely, building up layers often using handmade papers kept from my graduate days, gel medium for texture, graphite, sumi-e ink, watercolors and tempera. I may return to work again on the same pages until I sense the image is resolved. That is my warm-up for my time in the studio.

For my other work I use many different materials. My paintings are on both paper and on canvas. Also, I make ceramic and sculptural pieces. My background experience with making is vast and I do not limit myself. I will use what the works calls forth.